Works
Cinematic modern jazz quintet formed in 2015, winners of the Vilnius Jazz Young Power Grand Prix that same year. A synthesis of jazz, free jazz, folk and alternative rock; the band has toured Germany, the UK, Latvia, Estonia and Poland — including Munich's legendary Unterfahrt club, where the daily taz singled their concert out as the best event in the city that evening.
“…the expansive, cinematic sound world of Brave Noises, whose virtuosic compositions captured the crowd.”
Kieran Macdonald-Brown — Clash (UK)
“A rare, concentrated musical expression, balanced between fragile calm and surging power — a fresh, unexpected concert experience with a jazz quintet that has its own style, character and drive.”
Bent Stenbakken — kulturem.nu (Denmark), on the opening concert of Supernova Jazz Blast
Experimental performative jazz trio known for provocative, brave performances — free improvisation colliding with song, theatre and post-Dada text. Grand Prix and Best Original Composition at Vilnius Jazz Young Power 2021.
“These three are a clan of predestined weirdos, buried deep in free improvisation… Pianist Mantvydas Pranulis breaks into an avant-chanson ditty, completely incongruously… They possess an extraordinary power, and a sense of genuine unpredictability. They colonise the stage.”
Martin Longley — Jazzwise (UK)
Jazz ensemble — Jazz Talentai award at Klaipėda Jazz Festival, 2017.
Solo EP — an experiment merging pop clichés with a signature avant-garde approach.
luvhurts' debut album — the ritual jazz trio's stories of love and its pain, released just before Christmas, far from lyrical sentimentality.
Brave Noises' third release — eight compositions with guest vocalist Jausmė, vocal ensemble Duodeco and a string quartet, released on vinyl with support from the Lithuanian Council for Culture and LATGA.
“Musicians who truly hear one another turn improvisation into solid structure… Few albums sound like this.”
Jonas Braškys — 370
Choral-electronic album by the State Choir VILNIUS, opening with Pranulis' composition Not Allowed — born in the choir's laboratory for young composers, alongside works by Andrius Arutiunian and Monikaze.
Brave Noises — live recording.
Solo debut album — IDM, glitch, noise and techno blended with vocal elements; collaborations with Monikaze, Augustė-Ona, El chico fuendre and Andrius Šiurys.
“This debut album is filled with angular IDM / glitch rhythms, rough techno echoes, and even noise vibrations. Pranulis' solo album perfectly illustrates his indescribably broad musical horizons and his tendency to explore philosophical and social questions.”
Vitalijus Gailius — Music Information Centre Lithuania
Brave Noises' debut album — melodic hooks and harmonic light across stylistically diverse instrumental compositions.
Cosmological opera performed at Kaunas Chamber Theatre with Kosmos Theatre — two performers, a percussionist and an audience of twenty, seated on cushions in a tent, with music drawn from planetary frequencies. M. K. Čiurlionis Young Composer Grant.
“S'anatomia is a cosmological opera… The music is almost hypnotic, exploring the big picture, but then, for minutes on end, gentle Baltic waves can be heard from a simple noise drum filled with sand, audibly transporting the cosmos to Lithuania.”
Thomas Irmer — der Freitag (Germany)
A contemporary Lithuanian Advent rhapsody built on Advent songs from Dzūkija — a ritual of traditional and contemporary music performed by four singers and an ensemble of eight instrumentalists. Premiered at the former Lukiškės Prison in Vilnius, it returns each December, most recently crowning the capital's Advent programme at St. Catherine's Church on the winter solstice.
“The listener is drawn into the ritual, surrendering to a pure musical flow.”
Kotryna Lukšytė — 7 meno dienos
Sala, kurios nėra — Golden Stage Cross, Best Music.
“Mantvydas Leonas Pranulis has legitimised, with the utmost professionalism, the significance and originality of music within drama theatre. Pranulis continues what Bronius Kutavičius, Feliksas Bajoras, Algimantas Martinaitis and Faustas Latėnas were once famed for.”
Daiva Šabasevičienė — on The Island That Isn't
Music for more than thirty productions, including Jona, The Reunification of the Two Koreas (Golden Stage Cross nominee, 2025), Sonny's Blues and Marius Repšys On Stage.
“The music accompanying the scenes is highly expressive — audible, complementing, even binding together what at certain moments begins to fall apart.”
Daiva Šabasevičienė — on Jona
Original score for the feature film, dir. Kamilė Milašiūtė.
Site-specific audio route through Neringa — concept, sound & composition.
Interactive sound works in unconventional spaces — including Dainuojantis žmogus (The Singing Man) at the KGB Museum in Vilnius.
“The interactive concert reached its peak with what is, in every sense, Mantvydas Leonas Pranulis' strongest work, The Singing Man… I can say he succeeded, and even more!”
Ugnius Babinskas — Muzikos antena
“Watching Pranulis on stage is a real pleasure… he is always absorbed in the sound and devoted to what he does. There is no room for falseness in his work.”
Vitalijus Gailius — Music Information Centre Lithuania